My clients include Entrepreneurs, Designers, Manufacturers, Artists, Actors, Retailers, Writers, Web Developers, Consultants, Producers and Production Companies and other Premier Small Businesses located in and outside of Los Angeles.
I graduated from Stanford University (B.A., M.A.) and UCLA School of Law (J.D.) and opened my own law firm in Los Angeles after working as an entertainment and music law attorney at Manatt, Phelps, and Phillips, LLP (a top California law firm), as an in-house attorney handling contracts and business affairs at BCBG (a major fashion company), and as an in-house attorney at Palan Music (an international music publishing company which has since merged with MCS). See my bio for details.
April 2017: For songwriters who are affiliated with ASCAP, BMI or SESAC, it may be very worthwhile to get into the habit of checking with your publisher and on the ASCAP, BMI or SESAC websites to verify that your songs have not only been registered, but also to ensure that cue sheets for songs used in audiovisual works have been submitted by the producers of the audiovisual programming. If you have questions about music law issues, it’s a good idea to contact a music attorney. For more, see “Why Get a Music Lawyer”?
March 2017: Many people call with questions about terminating talent agent agreements in California where you may be able to successfully terminate a talent agency agreement you signed if certain Division of Labor Standards and Enforcement requirements have not been satisfied by your agent. An entertainment attorney can analyze your specific situation. For more information, see Why Get an Entertainment Lawyer?
February 2017: Many potential clients and clients think that registration of a script with the Writer’s Guild is the same as registration through the Copyright Office. It is most definitely not the same. A copyright registration with the Library of Congress is a prerequisite to filing a copyright infringement lawsuit and affords the registrant protection that a Writer’s Guild registration does not. For more, see Why Register a Copyright?
December 2016: Many people call me asking if they “have a case” for copyright infringement. I do not sue for copyright infringement because I am a transactional attorney who drafts contracts and not a litigator who goes to court. However, I do register copyrights, and a copyright registration is a prerequisite to filing a copyright infringement lawsuit. There is no substitute for federal copyright registration. For more see: Why Should I Register a Copyright?
November 2016: Some of my clients contemplate registering their personal names as brand name for their goods, typically for fashion and jewelry lines. There are many things to consider when potentially seeking to register one’s own personal name as a brand, not the least of which is what will happen to the brand name if you sell your business. It may be undesirable to potentially lose the right to use one’s own name in connection with certain goods or services, which is why it’s a good idea to receive some counseling from a qualified attorney before filing a trademark application. For more information, see How Do I Choose a Trademark?
September 2016: In California there are many tricky laws concerning the use of unpaid interns. It may be a good idea to eliminate any unpaid interns altogether due to the quagmire of employment law issues at work. Then, it may also be a good idea to have written contracts with anyone who is an actual independent contractor and / or employee, so that you avoid running afoul of employment laws. See Why Use a Lawyer to Draft Contracts.
In California work-for-hire language in contracts is not as simple an issue as it once was. Under California Labor Code section 3351.5(c), a person who creates a work under a contract that expressly provides that the work shall be considered a work made for hire, is an employee and similarly, under California Unemployment Insurance Code section 686 and 621(d), a party commissioning a work under a contract that expressly provides that the work shall be considered a work made for hire, is an employer. As a result of the foregoing statutes, it is more important than ever to have an attorney draft your legal contracts in order to have a professional navigate these tricky legal issues. See Why Use a Lawyer to Draft Contracts.
April 2016: You may have heard that creative works are automatically protected by copyright law once the work has been completed. While it’s true that there is some common law protection for unregistered creative works, there’s no substitute for registration with the Library of Congress. For more info, see Why Should I Register a Copyright.
February 2016: Many clients call me about trademarks thinking that they have done the only search there is on the U.S. Patent and Trademark Office’s website and feeling certain that their trademark is available. Unfortunately, it is not just an exact match for your intended trademark that may prevent you from both using and registering your proposed trademark. An attorney should conduct an analysis of the likelihood of confusion of your mark with other existing marks. For more information, see What Steps Do I Take to Apply for My Trademark.
January 2016: I receive many calls a day from people with business relationships that have gone unexpectedly awry. Unfortunately, this can occur in business with family and friends. It is very important to protect yourself and your business by having an attorney put your understanding in writing. For more info, see why formalize a partnership.
November 2015: At the end of the calendar year, it can be a good idea to consider having an attorney form a new business entity for you. Papers can be drafted now in 2015 and filed after the first of the New Year, giving you a whole 365 days of protection. For more reasons to form a business entity, see Why Form an LLC?
October 2015: Many singers and screenwriters call me to ask me to send out their materials to try to garner interest at the studios and / or record labels. They have heard that companies do not accept “unsolicited material”. This is true. However, I do not shop scripts or singers to studios or labels. What the labels and studios are essentially telling a person when they say this is that they only want to read scripts or listen to demo recordings that come from someone they know and trust in town. For more on what music and entertainment lawyers do, see what entertainment lawyers do.
Radio Commentary – Copyrights in the Music Industry
March 10, 2015, 7:20AM This is an excerpt from a radio interview discussing the copyright lawsuit between the family of Marvin Gaye and Pharrell Williams/Robin Thicke over the similarities between “Blurred Lines” and “Got to Give it Up.” Courtesy of KNX News Radio.
Seven Intellectual Property Myths that Can Hurt You:
1. I paid a graphic designer to create a logo for me, so now I own the logo and can use it for free however I want.
Example: I spent $5,000 to have my corporate identity (logo, business cards, letterhead and envelopes) designed for me, and now I can use the designs from on social networking sites.
This is not true. Unless you have a “work for hire” or “assignment agreement” in writing, you do not likely own the work your designer did on your behalf. Your designer likely still owns it. Generally, you should have an attorney draft a work-for-hire or assignment agreement with specific legally binding language that gives you ownership of the copyrightable material from the designer and the right to do whatever you want with it.
2. If I alter someone else’s creative work by more than 25%, then I am not infringing that person’s copyright when I copy, offer for sale or distribute my own revised version of the work because I made the work my own by adding so much material to it.
Example: I take Andy Warhol’s Marilyn Monroe print and change the colors and the size. Since I changed the work a lot, I think I’m not infringing the copyright.
This is likely untrue. The measure of copyright infringement is “substantial similarity”–whether or not a reasonable person would find the two works substantially similar based on a number of specific considerations. There is no set percentage by which you can alter a work and be sure to avoid being sued for infringement. If you really want to build on someone else’s work, you should have a copyright attorney “clear” the work by obtaining permissions where necessary.
3. I can use someone else’s trademarked brand in connection with my product or service because mine is a different kind of product or service.
Example: I open a café called Blue Berries that does not sell frozen yogurt. Because I don’t sell yogurt, and I changed the name, I assume I am not infringing the Blueberry yogurt chain’s trademark.
When it comes to trademark infringement, the issue is whether there is a “likelihood of confusion.” This is determined by weighing several factors. A few of the factors that would be considered are 1) whether consumers are likely to be confused about the source of the product or service; 2) whether the marks are similar in appearance, phonetic sound, or meaning; and 3) whether the marks are used in the same or similar channels of commerce. The determination of likelihood of confusion is a complicated matter. Therefore, don’t just pick a brand name because you like it; you should clear it with a trademark attorney first. If you are sued for trademark infringement, you may have to pay damages; you may have to forfeit all of your profits associated with the trademark; and you may lose all of the time and money you put into your marketing and advertising.
4. I can get a poor man’s copyright by mailing myself a copy of my creation and keeping it in a sealed envelope.
Example: I’m a screenwriter in Los Angeles. I mail myself a copy of my latest screenplay, and I keep the sealed envelope in my desk. I believe this gives me an enforceable copyright.
This is an urban legend, and the answer is “no”. Mailing your work to yourself isn’t what gives you a copyright (though in some cases it might give you something of value). The screenplay is actually copyrighted the moment you put it on paper. That said, there are real advantages to formally registering the copyright with the U.S. Copyright Office. These include the ability to file a lawsuit for copyright infringement, and when you file in a timely manner, the right to get extra money (statutory damages and attorney’s fees) in such a lawsuit.
It is fairly simple to apply for a copyright registration on your own. If you feel more comfortable, you can use an attorney who specializes in copyrights.
5. If a creative work does not have a copyright notice, then it’s not copyrighted, and I can do whatever I want with it.
Example: I liked someone else’s blog entry about cars so I copied a few paragraphs from it and posted it on my car aficionado website and even gave the blogger credit. I think this is not copyright infringement because the blogger doesn’t have a copyright notice, and I gave him credit and didn’t copy the whole blog.
This is not true for several reasons: 1) Everything created after April 1, 1989 is copyrighted and protected whether or not it has a copyright notice on it. 2) Giving others credit for their work is not the same as getting permission to use their work. 3) Copying a substantial part of a blog word-for-word is likely to be infringement.
If you’re not sure, consult with an experienced copyright attorney.
6. If I have a phrase I use for my business, I can copyright it.
Example: I use the slogan “Goofy Twofer Tuesday” for my business. I can copyright the slogan.
There are a few big issues here: 1) There is no copyright for words and short phrases. You may be able to trademark your business slogan, but it’s not copyrightable. 2) In addition, certain kinds of writing are not copyrightable. For example, you can’t copyright a list of addresses. Also, you cannot copyright individual recipes.
When it doubt, consult with an attorney.
7. I want to use an old creative work for commercial purposes. Since it’s so old, I can use it for free.
Example: I assume that I can use an old oil painting for free on my new line of greeting cards without infringing the copyright.
It depends. Just because a work is old doesn’t mean it is in the public domain and therefore free for anyone to use. Particular rules and dates apply to what is and isn’t in the public domain. As a general rule in the U.S., works created after January 1, 1978 maintain copyright protection for 70 years after the author passes away. Also be aware that international copyright laws can be very different from U.S. laws.
Summary of Los Angeles Attorney Melissa K. Dagodag’s Services:
I am an experienced Los Angeles attorney who works with business law, entertainment law, music law, fashion law and intellectual property law (including trademark law and copyright law). This includes business formation (corporations, partnerships, LLCs), copyright and trademark registration, drafting and negotiating contracts, cease and desist letters, collection letters, infringement settlement, creating business plans, and other legal advice and research. See a summary of the legal services I provide.
FORMING BUSINESSES: I can form your business entity properly by filing the appropriate papers with the California Secretary of State and then drafting the appropriate business agreement (such as an Operating Agreement for limited liability companies and Bylaws for a corporation). Since I practice as a business formation attorney in Los Angeles, I also help my clients who live in or around Los Angeles by meeting with them in person in order to sign and review all of the relevant documents; obtain Employer I.D. Numbers (EIN #’s) from the IRS; and gather all of the documents necessary to open company bank accounts. I also write and review business plans to clarify your marketing and business needs and help you find financing. For more information, see forming corporations, partnerships, and LLCs.
TRADEMARKS: as an experienced trademark lawyer in Los Angeles, I register and protect your trademarks and service marks (both are commonly known as brand names). I take my clients through the entire trademark application process. I also draft cease and desist letters when people are infringing on your trademarks or copyrights. For example, if you are a designer who sells your furniture throughout the U.S., and you own the trademark for your line of furniture, and you discover another company starts to use the same trademark, I will help you put an end to it. I also handle infringement settlements. When you need a trademark attorney in Los Angeles, my office is an excellent choice. For more information, go to trademark registration, licensing, and infringement issues.
CONTRACTS: I draft, review and negotiate a wide array of contracts for clients inside and outside of Los Angeles. See the next paragraph for some of the kinds of contracts I typically draft. Find more information about the services I provide in preparing, negotiating, and reviewing contracts.
TYPES OF CONTRACTS: some of the contracts that I typically write, review and negotiate are business formation, business dissolution, trade secret, work-for-hire, employment, non-disclosure, distribution, fashion, sales representative, production (music, film and television), recording artist, songwriter, record producer, music and book publishing, writer, author, sale of business, buy-sell, web developer, website terms and conditions, licensing (copyrights and trademarks) and settlement. I also write collection letters (for clients who want to collect past due money).
ENTERTAINMENT CONTRACTS: as an entertainment lawyer in Los Angeles, I draft production agreements for many Los Angeles entertainment companies, film companies and independent producers. I draft agreements for independent films (including writer, director, producer, actor, etc.) and option agreements.
MUSIC CONTRACTS: as a music attorney in Los Angeles, I draft record producer agreements, record label agreements, composer agreements, management agreements, recording artist agreements, master use licenses and synch licenses. Before opening my own law firm, I worked as Vice President of Palan Music (which was later purchased by MCS).
FASHION LAW: I provide a wide range of fashion law services for small companies, individual designers and start-ups. While many of my fashion clients are in Los Angeles. I work with companies all over the United States. Before opening my own law firm, I worked as Business Affairs Counsel at BCBG.
INTELLECTUAL PROPERTY: in addition to dealing with trademark and copyright issues, I also handle a wide range of your intellectual property needs. For example, I protect your trade secrets with written contracts (trade secrets are one of the only forms of intellectual property protection that require no registration). I also draft work-for-hire agreements so that you can own whatever intellectual property is created for you by the people you hire. I handle domain name issues and U.S. Customs intellectual property registration and enforcement. I can register your brand names and creative works with U.S. Customs to prevent the importation of infringing goods. I handle many other aspects of intellectual property law, including website terms & conditions and web development agreements.
LEGAL ADVICE: I serve as General Counsel for many of the small businesses I work with. If your needs are more specific–for instance, if you need a Los Angeles trademark attorney or a lawyer based in Los Angeles who handles business formation–I can also handle your individual legal issues.
LITIGATION: while I don’t litigate, I can readily turn to a great team of litigators to help you.
INTERNATIONAL: although I practice as an attorney in the U.S., I apply for European trademark protection through the Madrid Protocol application available via the United States Patent and Trademark Office. For many countries not covered by the Madrid Protocol I have a readily-available network of foreign attorneys and agents who can assist my clients with matters overseas in order to receive foreign copyright and trademark protection, as well as intellectual property rights enforcement.
EXCELLENCE: if you need an excellent Los Angeles trademark attorney, see what services I provide through the success stories of my clients. If you are searching for top entertainment lawyer in Los Angeles, I have the experience and skills you need. If you want one of the top music lawyers in Los Angeles, see the remarks of some of my award-winning clients and see the music law section of my site. If you need a great contract attorney in Los Angeles, I urge you to inquire about my services. If it’s an excellent Los Angeles copyright attorney you’re looking for, I can help you, and I can teach you how to apply for copyrights yourself. If you need one of the best fashion attorneys in Los Angeles, I’ve worked for BCBG and have provided legal services to many smaller fashion clients. If you want an experienced business attorney, or other related legal services, I encourage you to contact me. I seek to provide the best legal services available in Los Angeles for small businesses and creative individuals at a reasonable price.
CLIENTS: I have experience with many types of clients including: start-ups, manufacturers, fashion designers, jewelry designers, filmmakers, artists, authors, actors, producers, writers, digital animators, web developers, videogame developers, photographers, inventors, architects, contractors, interior designers, showroom owners, computer programmers, consumer product manufacturers, music publishers, music producers, musicians, songwriters, record producers, record labels, recording artists, retail store owners, architects, social networking sites, distributors, non-profits, business consultants and other entrepreneurs. While many of my clients are local, I work with clients nationally and even internationally. See some of my client success stories.
GOAL: my goal as your attorney is to understand what your legal needs are and then to provide the highest quality legal services available.
Experience and Training:
EXPERIENCE: I have extensive training and experience as an attorney, and as a small business owner. While I now own my Los Angeles law office, I previously owned my own product design and manufacturing business for about eight years before becoming a lawyer in Los Angeles, so I have real world experience marketing at trade shows, writing brochure copy, designing brochures, creating press kits, invoicing, collecting and managing teams of sales representatives and employees. Whether you need a trademark lawyer in Los Angeles, an attorney to form your California-based company, business plans prepared or reviewed, contracts written or reviewed, or general counsel for your small business, my business know-how helps me bridge the gap between lawyer and layperson, so that I demystify legal concepts and help my clients get a handle on their legal issues.
LOCATION: while I am a lawyer based in Los Angeles, I work with clients throughout California and the United States. The Law Offices of Melissa K. Dagodag serves the following Southern California cities: Los Angeles, Santa Monica, Culver City, Westwood, Brentwood, Beverly Hills, West Hollywood, Malibu, Bel Air, Pacific Palisades, Burbank, Pasadena, Glendale, Studio City, Encino, Sherman Oaks, Woodland Hills, Hollywood, West L.A., Westlake Village, Thousand Oaks, Calabasas, Agoura Hills, Newport Beach, Palos Verdes, Manhattan Beach, Redondo Beach, Huntington Beach, Laguna Beach, Marina Del Rey, Rancho Park, the Beverly Center area, and downtown L.A..